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Cerebral Contents: Update for 05.13.08: Backsliding by Cynthia Ruth Lewis 05.05.08: Five Feet and Building by Joel Van Noord Grocery Aisle by Richard Lighthouse Cross the Road by Ashok Niyogi 04.29.08: The Modern Covenant by Daniel E. Wilcox Death by Onions by Michael Frissore 04.21.08: Future's Children by Kimberly Raiser Identity Theft by George Anderson A Great Deal of Money by Justin Hyde 04.14.08: Mr. Papaya and Dale by Eric Suhem California by Caroline Imreibe Aftermath of Vehement Argument #1,068 by Cynthia Ruth Lewis Trip-Hammer Vitality by Lisa Nickerson 04.07.08: The Florence of Basel, or Why Readers of Nietzsche Need to Read Burckhardt by Jeff Crouch Friends of the Poet by Sean C. Bowen Picture Perfect by Leah Baldwin 03.24.08: Staring Down a White-Tailed Doe by Aleathia Drehmer 03.17.08: The Hairbrush by Vernard Kennedy Dog Days of Winter by Niall Berkeley Poem From My Grave by Michael Lee Johnson Mashed Potatoes and Hamburgers by Matt Finney 03.10.08: Hard Work by Luis Cuauhtemoc Berriozabal Jetty Cake Pigs by J.D. Nelson |
No Heroes
by Mickey Z.
On an INT C/U of EMMA: late 20s, intense eyes, nervous smile, perfect skin. Pretty, but tough. Think: Frida Kahlo or maybe just Gina Gershon in Bound. EMMA
The rising sun shines brilliantly through the blinds, laying luminous stripes across the left side of Emma's attractive face. WILLIAM
William's VOICE is low, almost weary. It speaks volumes of too many broken promises, battles lost, and sleepless nights. As he speaks, we can see the sincere interest in Emma's eyes. There's a connection here, but it's hard to tell what it is. EMMA
WILLIAM
EMMA
WILLIAM
In the b.g., the SOUND of a car alarm can be heard. Emma brings a small glass to her mouth and drinks. Wherever she is, it's hot. Sweat beads on her ample forehead. EMMA
CUT TO An EXTREME C/U of WILLIAM BLADES. He looks to be in his early 30s. The sun stripes are on the right side of his handsome face: two-day stubble, sincere brown eyes, long eyelashes, years of hard work etched into his sweaty skin. This guy is a cross between Che Guevara and Johnny Depp. A revolutionary for the twenty-first century. William allows himself the tiniest of smirks as he exhales and answers Emma's query. The car alarm shuts off just as he begins speaking. WILLIAM
WIPE TO EXT. SANTA MONICA BOARDWALK MORNING William and Emma walk slowly, not hand-in-hand, but close enough that their shoulders occasionally touch. Emma is wearing a short summer dress and the early morning chill causes her to fold her arms for warmth her gait is confident but friendly. William is dressed in torn jeans and baggy sweatshirt. He doesn't walk, he swaggers: John Wayne-style. You know it's early when the sea gulls outnumber the humans and the only people Emma and William encounter are before-work JOGGERS. WILLIAM
EMMA
Emma's eyes can't hide a subtle concern; William picks this up immediately and gazes at her. The crashing SOUND of breakers punctuates the silence. WILLIAM
EMMA
WILLIAM
EMMA
William stops to lean against the railing. Emma joins him staring at the waves. They both inhale deeply, savoring the salty ocean air. WILLIAM
EMMA
EMMA
WILLIAM
Emma giggles to herself. WILLIAM
EMMA
William takes a firm hold on Emma's shoulders and turns her to fully face him. WILLIAM
EMMA
WILLIAM
EMMA
William takes Emma's hand and they continue walking along the boardwalk. In the few minutes they've been out, more PEOPLE have made the scene: rollerbladers, women pushing baby carriages, a drug dealer or two. One of them has turned on a radio: house music BLARES. It's not so serene anymore. WILLIAM
EMMA
WILLIAM
EMMA
This brings a smile to William's jaded face; the deepest smile he's shown yet. He and Emma stop again and watch some seagulls circle overhead. EMMA
WILLIAM
EMMA
WILLIAM
EMMA
It has also made William smile. The sun is getting warmer and he peels off his sweatshirt to reveal a tight T-shirt underneath. EMMA
WILLIAM
EMMA
Before William can respond, a GROUP OF FIVE PEOPLE move towards him quickly. His first reaction is an almost imperceptible shift of body weight as if to protect Emma while simultaneously gauging the meaning of this intrusion. However, when he sees the young, exuberant faces walking in his direction, he allows himself to relax. The YOUNG MAN at the front of the group has clearly been elected (or self-appointed?) as spokesperson. He is white, in his mid-20s. YOUNG MAN
WILLIAM
A young Latina jumps forward. LATINA
William looks wounded; his face appears to have aged ten years in ten seconds. Off to the side, Emma fluctuates between sympathy for William and anger at his "fans." WILLIAM
The Latina's face reddens with indignation. Her smug grin screams: "I knew you were a fake!" Emma tries to intervene but a second GROUP approaches. She is accidentally bumped back and she chooses to remain there. Tears well in her eyes. FIRST SPANISH MAN
SECOND SPANISH MAN
WILLIAM
The first group of "fans" are jostling with this new group to maintain William's attention. The Latina tries again. LATINA
Through the madness, William is able to make direct eye contact with Emma. CUT TO C/U OF EMMA'S FACE: She is crying. Not sobbing, mind you, her face looks calm but tears are rolling down her cheeks. CUT TO William. He inhales deeply as a seagull CRIES OUT overhead. This summoning of strength causes William's admirers to take a tiny almost involuntary step back. WILLIAM
William inhales again, just as the house music comes to an abrupt halt in the distance. Except for the SOUND of the relentless waves pounding the shoreline, William's voice in the only thing we hear. WILLIAM
William reaches a muscular arm through the crowd to take Emma's hand. He pulls her towards him. They both turn and walk slowly away just as the house music resumes BLARING and the SOUND of a loud car horn fills the air. We try to see where William and Emma are going, but the sun's glare has rendered them invisible. FADE OUT
______________________________________ posted 01.21.08. ..... |
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