Cerebral Contents:

Update for 05.13.08:

Male Model by Phil Doran

Set to Replay by Willie Smith

Backsliding by Cynthia Ruth Lewis

Tree by G. David Schwartz

05.05.08:

Disintegration by Don Hucks

Five Feet and Building by Joel Van Noord

Grocery Aisle by Richard Lighthouse

Cross the Road by Ashok Niyogi

04.29.08:

Lookalikes by Phil Doran

Dinner by Brandi Wells

The Modern Covenant by Daniel E. Wilcox

Death by Onions by Michael Frissore

04.21.08:

Future's Children by Kimberly Raiser

Identity Theft by George Anderson

The Datists by Adam Engel

A Great Deal of Money by Justin Hyde

04.14.08:

Mr. Papaya and Dale by Eric Suhem

California by Caroline Imreibe

Aftermath of Vehement Argument #1,068 by Cynthia Ruth Lewis

Trip-Hammer Vitality by Lisa Nickerson

04.07.08:

The Florence of Basel, or Why Readers of Nietzsche Need to Read Burckhardt by Jeff Crouch

Slideshow by Miles J. Bell

Friends of the Poet by Sean C. Bowen

Picture Perfect by Leah Baldwin

03.24.08:

The Streak by Jeremy Hendrix

Grab Your Butts by Emme Hor

Far Away by Ashok Niyogi

Staring Down a White-Tailed Doe by Aleathia Drehmer

03.17.08:

The Hairbrush by Vernard Kennedy

Dog Days of Winter by Niall Berkeley

Poem From My Grave by Michael Lee Johnson

Mashed Potatoes and Hamburgers by Matt Finney

03.10.08:

Hard Work by Luis Cuauhtemoc Berriozabal

Jetty Cake Pigs by J.D. Nelson

I'm Quiet in Bed by Moctezuma Johnson

Tequila Shakes by Richard Lighthouse

Everybody Else

by Willie Smith


The dog wouldn’t leave me alone. Every time I turned around the dog pissed on my leg. They told me, they said, hey! Why don’t you go downtown and see a man about a dog?

So I hopped in my Caddy and fought traffic and tailgated a Rabbit – all the way cursing and screaming at commercials on the bubblegum. Got downtown in the goddamn thick of it.

Squealed into a parking unit. Jackknifed out the passenger side. Loped into a spot. Occupied the last available stool, between a babbling Javaman and some Neanderthal guzzling joe.

I ordered a Styrofoam of mud, plus Danish. Then told the waitress – a menopausal frazzle – I had come to shed a tear for Nixon.

Open slid a panel between the men’s room and a dead jukebox jammed against a booth acrawl with salesmen. I ducked down, snuck in.

The crawlspace narrowed to colon width, ringed with gristle, lit by natural gas... gasping, I fell to my knees – up on the wall, like a plastered saint, hung, trussed, the dog!

I whipped out my Swiss. Worked fast, choking in the gloom. Hacked a piece of tail. Gagged down a hair. Then wormed – on my last atom of breath – outta that warp.

Stretched my spine. Blinked in the suddenly ordinary light. The juke, caressed by some unknown quarter, sprang to life. To the brim the spot filled with a howl about a dog.

I was nervous as ever. But now, thanks to sheer doggedness, I could handle the pack. I cracked a knuckle. Swiveled elbows. Rotated cuffs. Boogied on back to the cool mud, pasting my lips with pastry.

At last, I was like everybody else – seeing the dog, babbling everything but.

 

______________________________________
Willie Smith is deeply ashamed of being human. His work celebrates this horror.

posted 03.03.08.

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