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Cerebral Contents:
Update for 05.13.08:
Male Model by Phil Doran
Set to Replay by Willie Smith
Backsliding by Cynthia Ruth Lewis
Tree by G. David Schwartz
05.05.08:
Disintegration by Don Hucks
Five Feet and Building by Joel Van Noord
Grocery Aisle by Richard Lighthouse
Cross the Road by Ashok Niyogi
04.29.08:
Lookalikes by Phil Doran
Dinner by Brandi Wells
The Modern Covenant by Daniel E. Wilcox
Death by Onions by Michael Frissore
04.21.08:
Future's Children by Kimberly Raiser
Identity Theft by George Anderson
The Datists by Adam Engel
A Great Deal of Money by Justin Hyde
04.14.08:
Mr. Papaya and Dale by Eric Suhem
California by Caroline Imreibe
Aftermath of Vehement Argument #1,068 by Cynthia Ruth Lewis
Trip-Hammer Vitality by Lisa Nickerson
04.07.08:
The Florence of Basel, or Why Readers of Nietzsche Need to Read Burckhardt by Jeff Crouch
Slideshow by Miles J. Bell
Friends of the Poet by Sean C. Bowen
Picture Perfect by Leah Baldwin
03.24.08:
The Streak by Jeremy Hendrix
Grab Your Butts by Emme Hor
Far Away by Ashok Niyogi
Staring Down a White-Tailed Doe by Aleathia Drehmer
03.17.08:
The Hairbrush by Vernard Kennedy
Dog Days of Winter by Niall Berkeley
Poem From My Grave by Michael Lee Johnson
Mashed Potatoes and Hamburgers by Matt Finney
03.10.08:
Hard Work by Luis Cuauhtemoc Berriozabal
Jetty Cake Pigs by J.D. Nelson
I'm Quiet in Bed by Moctezuma Johnson
Tequila Shakes by Richard Lighthouse |
Shiny Black Pumps
by Caroline Imreibe
Last year, I had a job. I was working. But this year I don't. This year
I don't have a job. I mean, I'm looking but I'm not working.
"Maybe you can get a job at your Uncle Fred's office. They always
need help down there," she said. My mother, she said that yesterday
and today I'm here. Today I'm here, I'm waiting to be interviewed at my
Uncle Fred's office in the reception area and I'm here, in good hands
with All State.
I'm sitting in a chair across from the mahogany desk with the receptionist
in a reception area. She's staring at me. The receptionist, with the hair
pulled back and held in place with a pencil.
"He'll be with you in a few minutes, Anne," she says, her name,
Lucy Beekal, etched in a rectangle at the corner of her desk. Lucy Beekal,
the receptionist, here Monday through Friday. Lucy Beekal sipping coffee
from a Dunkin Donuts mug from 1990. She's staring at my shoes.
They're new black pumps I bought yesterday from Payless and they're too
shiny. I asked the saleswoman if they came in a fabric not as shiny and
she said no, like she didn't want to go back and look. So I bought them,
the shiny black pumps, for today, for the interview, and Lucy Beekal is
staring at them, picking lint from her fingernails and staring. Where's
Uncle Fred?
A young man, tall and dark, wearing a gray suit with strong lines, steps
off the elevator and is approaching me. Not me, actually, but towards
me, where I am, in the reception area. Do I smile? I smile. He does not.
Maybe I smiled too much. What if he's the one I'm interviewing with? Could
he not hire me because of that? Because I smiled too much? He didn't see
me, maybe. I'll tell him I'm friendly, so he knows. So he knows I didn't
mean anything. I didn't mean anything. Really, what's a smile anyways?
I'm just here for a job at my Uncle Fred's office. My Uncle Fred, that's
right. He works here too.
______________________________________
Caroline Imreibe lives in
Chicago and works in advertising.
posted 11.19.07.
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