Cerebral Contents:

Update for 05.13.08:

Male Model by Phil Doran

Set to Replay by Willie Smith

Backsliding by Cynthia Ruth Lewis

Tree by G. David Schwartz

05.05.08:

Disintegration by Don Hucks

Five Feet and Building by Joel Van Noord

Grocery Aisle by Richard Lighthouse

Cross the Road by Ashok Niyogi

04.29.08:

Lookalikes by Phil Doran

Dinner by Brandi Wells

The Modern Covenant by Daniel E. Wilcox

Death by Onions by Michael Frissore

04.21.08:

Future's Children by Kimberly Raiser

Identity Theft by George Anderson

The Datists by Adam Engel

A Great Deal of Money by Justin Hyde

04.14.08:

Mr. Papaya and Dale by Eric Suhem

California by Caroline Imreibe

Aftermath of Vehement Argument #1,068 by Cynthia Ruth Lewis

Trip-Hammer Vitality by Lisa Nickerson

04.07.08:

The Florence of Basel, or Why Readers of Nietzsche Need to Read Burckhardt by Jeff Crouch

Slideshow by Miles J. Bell

Friends of the Poet by Sean C. Bowen

Picture Perfect by Leah Baldwin

03.24.08:

The Streak by Jeremy Hendrix

Grab Your Butts by Emme Hor

Far Away by Ashok Niyogi

Staring Down a White-Tailed Doe by Aleathia Drehmer

03.17.08:

The Hairbrush by Vernard Kennedy

Dog Days of Winter by Niall Berkeley

Poem From My Grave by Michael Lee Johnson

Mashed Potatoes and Hamburgers by Matt Finney

03.10.08:

Hard Work by Luis Cuauhtemoc Berriozabal

Jetty Cake Pigs by J.D. Nelson

I'm Quiet in Bed by Moctezuma Johnson

Tequila Shakes by Richard Lighthouse

Shiny Black Pumps

by Caroline Imreibe



Last year, I had a job. I was working. But this year I don't. This year I don't have a job. I mean, I'm looking but I'm not working.

"Maybe you can get a job at your Uncle Fred's office. They always need help down there," she said. My mother, she said that yesterday and today I'm here. Today I'm here, I'm waiting to be interviewed at my Uncle Fred's office in the reception area and I'm here, in good hands with All State.

I'm sitting in a chair across from the mahogany desk with the receptionist in a reception area. She's staring at me. The receptionist, with the hair pulled back and held in place with a pencil.

"He'll be with you in a few minutes, Anne," she says, her name, Lucy Beekal, etched in a rectangle at the corner of her desk. Lucy Beekal, the receptionist, here Monday through Friday. Lucy Beekal sipping coffee from a Dunkin Donuts mug from 1990. She's staring at my shoes.

They're new black pumps I bought yesterday from Payless and they're too shiny. I asked the saleswoman if they came in a fabric not as shiny and she said no, like she didn't want to go back and look. So I bought them, the shiny black pumps, for today, for the interview, and Lucy Beekal is staring at them, picking lint from her fingernails and staring. Where's Uncle Fred?

A young man, tall and dark, wearing a gray suit with strong lines, steps off the elevator and is approaching me. Not me, actually, but towards me, where I am, in the reception area. Do I smile? I smile. He does not. Maybe I smiled too much. What if he's the one I'm interviewing with? Could he not hire me because of that? Because I smiled too much? He didn't see me, maybe. I'll tell him I'm friendly, so he knows. So he knows I didn't mean anything. I didn't mean anything. Really, what's a smile anyways? I'm just here for a job at my Uncle Fred's office. My Uncle Fred, that's right. He works here too.

 

 

______________________________________
Caroline Imreibe lives in Chicago and works in advertising.

posted 11.19.07.

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