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Cerebral Contents:
Update for 05.13.08:
Male Model by Phil Doran
Set to Replay by Willie Smith
Backsliding by Cynthia Ruth Lewis
Tree by G. David Schwartz
05.05.08:
Disintegration by Don Hucks
Five Feet and Building by Joel Van Noord
Grocery Aisle by Richard Lighthouse
Cross the Road by Ashok Niyogi
04.29.08:
Lookalikes by Phil Doran
Dinner by Brandi Wells
The Modern Covenant by Daniel E. Wilcox
Death by Onions by Michael Frissore
04.21.08:
Future's Children by Kimberly Raiser
Identity Theft by George Anderson
The Datists by Adam Engel
A Great Deal of Money by Justin Hyde
04.14.08:
Mr. Papaya and Dale by Eric Suhem
California by Caroline Imreibe
Aftermath of Vehement Argument #1,068 by Cynthia Ruth Lewis
Trip-Hammer Vitality by Lisa Nickerson
04.07.08:
The Florence of Basel, or Why Readers of Nietzsche Need to Read Burckhardt by Jeff Crouch
Slideshow by Miles J. Bell
Friends of the Poet by Sean C. Bowen
Picture Perfect by Leah Baldwin
03.24.08:
The Streak by Jeremy Hendrix
Grab Your Butts by Emme Hor
Far Away by Ashok Niyogi
Staring Down a White-Tailed Doe by Aleathia Drehmer
03.17.08:
The Hairbrush by Vernard Kennedy
Dog Days of Winter by Niall Berkeley
Poem From My Grave by Michael Lee Johnson
Mashed Potatoes and Hamburgers by Matt Finney
03.10.08:
Hard Work by Luis Cuauhtemoc Berriozabal
Jetty Cake Pigs by J.D. Nelson
I'm Quiet in Bed by Moctezuma Johnson
Tequila Shakes by Richard Lighthouse |
Betrayal
by Zoe Alexandra
Coming back into your world
and I am so terrified
of distraction
of reaching in my wallet
only to find crumpled receipts
of reading your body like a map
and not knowing if I belong
in your hemisphere
or any other for that matter.
Will I take you down
or will you take me?
The only roads I can read
are lit up in red
like caution signs
like stop signs
trying to slow me down
but I'm not sure
All I can make out is
the rush:
driving down dirt roads
Your hands on my thighs
Fingers curved
Nails short and rough
from playing guitar
Sometimes I am listening
as you speak
sometimes I can't
concentrate
nervous because
I know this is a sin
because I know
how this will end
because I am
just barely learning
to be good
and I cannot keep
my hands to myself
(not yet)
But I know that there's a quiet whisper
faint enough
but I can make it out:
Kill me now
Please
I feel it in my bones
Like a death rattle
I could never say no to you
Even if I wanted to
Read me my death rites
I can read your palm
I can read your magnetic gaze
like a heliograph
I can chart the spikes
and I can feel them
between my legs
like sparks
like magnets
like solar energy
that I can blame on the full moon.
You park the car,
turn off the head lights,
lean back your seat
and I know this is dishonest
seriously, I know
but I can't stop
(these infidelities always make me nauseous)
Kill me now
Please
I feel it in my bones
Like a death rattle
I could never say no to you
Even if I wanted to
Read me my death rites
But I soon forget
bent over the stick shift
sighing
perilous
fingers in
my mouth
up my
cunt
and it's hard to feel sorry.
______________________________________
Zoe Alexandra's writing has
been published in Best Lesbian Erotica 2007 (Cleis Press), My
Time Lunch Book (Poet Plant Press), Zygote in My Coffee,
The Commonline Project, Instant Pussy, Mad Swirl,
Deconstruction Quarterly, Silenced Press and forthcoming
poems will appear in Remark, Pink Elephants on Review, Word Riot
and Debris Magazine.
posted 10.15.07.
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