Cerebral Contents:

Update for 05.13.08:

Male Model by Phil Doran

Set to Replay by Willie Smith

Backsliding by Cynthia Ruth Lewis

Tree by G. David Schwartz

05.05.08:

Disintegration by Don Hucks

Five Feet and Building by Joel Van Noord

Grocery Aisle by Richard Lighthouse

Cross the Road by Ashok Niyogi

04.29.08:

Lookalikes by Phil Doran

Dinner by Brandi Wells

The Modern Covenant by Daniel E. Wilcox

Death by Onions by Michael Frissore

04.21.08:

Future's Children by Kimberly Raiser

Identity Theft by George Anderson

The Datists by Adam Engel

A Great Deal of Money by Justin Hyde

04.14.08:

Mr. Papaya and Dale by Eric Suhem

California by Caroline Imreibe

Aftermath of Vehement Argument #1,068 by Cynthia Ruth Lewis

Trip-Hammer Vitality by Lisa Nickerson

04.07.08:

The Florence of Basel, or Why Readers of Nietzsche Need to Read Burckhardt by Jeff Crouch

Slideshow by Miles J. Bell

Friends of the Poet by Sean C. Bowen

Picture Perfect by Leah Baldwin

03.24.08:

The Streak by Jeremy Hendrix

Grab Your Butts by Emme Hor

Far Away by Ashok Niyogi

Staring Down a White-Tailed Doe by Aleathia Drehmer

03.17.08:

The Hairbrush by Vernard Kennedy

Dog Days of Winter by Niall Berkeley

Poem From My Grave by Michael Lee Johnson

Mashed Potatoes and Hamburgers by Matt Finney

03.10.08:

Hard Work by Luis Cuauhtemoc Berriozabal

Jetty Cake Pigs by J.D. Nelson

I'm Quiet in Bed by Moctezuma Johnson

Tequila Shakes by Richard Lighthouse

Betrayal

by Zoe Alexandra



Coming back into your world
and I am so terrified
of distraction
of reaching in my wallet
only to find crumpled receipts
of reading your body like a map
and not knowing if I belong
in your hemisphere
or any other for that matter.

Will I take you down
or will you take me?

The only roads I can read
are lit up in red
like caution signs
like stop signs
trying to slow me down

but I'm not sure

All I can make out is
the rush:

driving down dirt roads
Your hands on my thighs
Fingers curved
Nails short and rough
from playing guitar

Sometimes I am listening
as you speak
sometimes I can't
concentrate

nervous because
I know this is a sin

because I know
how this will end
because I am
just barely learning
to be good
and I cannot keep
my hands to myself
(not yet)

But I know that there's a quiet whisper
faint enough
but I can make it out:

Kill me now
Please
I feel it in my bones
Like a death rattle

I could never say no to you
Even if I wanted to
Read me my death rites


I can read your palm
I can read your magnetic gaze
like a heliograph
I can chart the spikes
and I can feel them
between my legs
like sparks
like magnets
like solar energy
that I can blame on the full moon.

You park the car,
turn off the head lights,
lean back your seat
and I know this is dishonest
seriously, I know
but I can't stop

(these infidelities always make me nauseous)

Kill me now
Please
I feel it in my bones
Like a death rattle

I could never say no to you
Even if I wanted to
Read me my death rites


But I soon forget
bent over the stick shift
sighing
perilous
fingers in
my mouth
up my
cunt

and it's hard to feel sorry.




______________________________________
Zoe Alexandra's writing has been published in Best Lesbian Erotica 2007 (Cleis Press), My Time — Lunch Book (Poet Plant Press), Zygote in My Coffee, The Commonline Project, Instant Pussy, Mad Swirl, Deconstruction Quarterly, Silenced Press and forthcoming poems will appear in Remark, Pink Elephants on Review, Word Riot and Debris Magazine.

posted 10.15.07.

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